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“... to embody these feelings is an elderly, one-eyed woman, a singer of ballads, who resembles, in Patrick Creagh’s translation, an early version of Yeats’s Crazy Jane: Woman whose face is worn and green As pebbles in a mountain stream, Tears of love have cracked your skin! This woman rarely appears in Les Amours jaunes. She stands somewhere at the ...”

“... In Padua, on 20 January 1976, a young girl called Margherita Magello was repeatedly stabbed and left for dead. She was discovered by Massimo Carlotto, a 19-year-old student radical and member of Lotta Continua, who tried to save her, and, in doing so, got covered in her blood. She died, he was arrested and, a pawn in the struggle between Lotta Continua and the police, was tried for her murder ...”

“... the story of a Parisian rake in pursuit of an elusive scent (a vein mined far more rigorously in Patrick Süskind’s Perfume) alternates with a frankly embarrassing stream-of-consciousness monologue about a drugged rock musician living in mid-Seventies London. Neither of these adds much to Calvino’s glory: especially since, given their simultaneous ...”

“... as a poet. The best sampling of Ungaretti in English is still the Selected Poems translated by Patrick Creagh (1971). After the war, Ungaretti married and then settled in Rome, where he earned a living by producing digests of foreign newspapers for a government publication. There were lecture tours and trips abroad for the sake of travel-writing ...”

“... To vanish from sight; be traceable no farther; cease to be present; be lost, especially without explanation.’ The verb in question normally behaves intransitively, but in Argentina after 1976 it learned to take a direct object as the military regime disappeared between nine and twenty thousand people. Humberto Costantini and Omar Rivabella both write about this, but their approach is so different that their books in fact complement each other ...”

“... selections do a similar thing similarly well: Umberto Saba translated by Derek Mahon, Ungaretti by Patrick Creagh, Maria Luisa Spaziani by Beverly Allen. But many others are more limited. In Biographia Literaria Coleridge illustrates the workings of metaphor with some made-up lines which do not pretend to be poetry but nonetheless go through poetical ...”